FILM REVIEWS

The Recovery Drama ‘At the Sea’ Is Overly Familiar

Micah Rickard 3/3/26 Micah Rickard 3/3/26

The Recovery Drama ‘At the Sea’ Is Overly Familiar

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‘Tutu’ Proclaims its Subject’s Spiritual Energy

Micah Rickard 3/3/26 Micah Rickard 3/3/26

‘Tutu’ Proclaims its Subject’s Spiritual Energy

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‘Heysel 85’ and the Collapse of Political Ineptitude

Micah Rickard 3/2/26 Micah Rickard 3/2/26

‘Heysel 85’ and the Collapse of Political Ineptitude

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‘A Prayer for the Dying’ Falls on Deaf Ears

Micah Rickard 3/2/26 Micah Rickard 3/2/26

‘A Prayer for the Dying’ Falls on Deaf Ears

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‘Trial of Hein’ Reveals the Incomplete Construction of Society

Micah Rickard 2/27/26 Micah Rickard 2/27/26

‘Trial of Hein’ Reveals the Incomplete Construction of Society

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Beneath a Garish Veneer, ‘Rosebush Pruning’ is a Vapid Emptiness

Micah Rickard 2/26/26 Micah Rickard 2/26/26

Beneath a Garish Veneer, ‘Rosebush Pruning’ is a Vapid Emptiness

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The Rom-Com Meets a Harsh Reality in ‘No Good Men’

Micah Rickard 2/26/26 Micah Rickard 2/26/26

The Rom-Com Meets a Harsh Reality in ‘No Good Men’

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‘Rose’ Writes a Story of Deception, Selfhood, and the Miracle of Being New

Micah Rickard 2/25/26 Micah Rickard 2/25/26

‘Rose’ Writes a Story of Deception, Selfhood, and the Miracle of Being New

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Gore Verbinski’s ‘Good Luck, Have Fun, Don’t Die’ Is Strangely Derivative

Micah Rickard 2/25/26 Micah Rickard 2/25/26

Gore Verbinski’s ‘Good Luck, Have Fun, Don’t Die’ Is Strangely Derivative

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Religion and Rehumanization at ‘The Bone Temple’

Micah Rickard 1/23/26 Micah Rickard 1/23/26

Religion and Rehumanization at ‘The Bone Temple’

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